Since the observer is always outside the event, the spread of information about the event from one observer to another occurs without considering the manner and quality of their observations. As a result, a dominant narrative tends to emerge and influence all other narratives. Therefore, our understanding of an event is shaped by this network of observations rather than by what transpired within the event.

This suggests that not all observers are positioned equally; depending on their distance from the event’s center, they will perceive it differently. This situation can be compared to the phenomenon of “time dilation” in black holes, which relates to the event horizon, also called “Schwarzschild radiation,” in astrophysics. The event horizon indicates that any event happening within its boundary is hidden from an external observer and lies beyond our visible horizon. The black hole’s singularity influences time in a way that prevents an outside observer from witnessing certain events. In other words, this gravitational force distorts and affects time from the perspective of distant observers. From an outside view, the collapse of objects approaching a black hole appears to slow down more and more until it effectively seems to stop. There is no Synchronicity. We exist in separate temporal states, and because of this difference, we have multiple versions of events. As a result, our perception of the past and future varies from the collective picture created by many observers. The re-existence of sub-narratives: accessibility, reminiscence, re-reading, and comparison of what remains inside the narrow and dark corridors of history is a constant danger against forgetting. Although history has always taken care of its filing cabinets, even history sometimes forgets whether it has locked all the doors.

About Sounds:

1.     The atmospheric sound: “This ‌bitter time will pass, and the sugar time will return once more. “The rhythm of this segment is decelerated so significantly—the timeline stretched so thin—that words lose their meaning, dissolving language into pure noise. And this is only a time effect.

2.    Music: “La Petite Fille de la Mer” (in English: “The Little Girl of the Sea”) from the album “L’Apocalypse des Animaux”(in English: “The Animal Apocalypse”) is a soundtrack album by Greek composer Vangelis. The album’s music accompanied a documentary series about the animal kingdom directed by Frédéric Rossif, broadcast on French TV in 1973. This music was broadcast on Iran TV channel 1 during the last minute before the start of national news between 2001 and 2009.